Othello By William Shakespeare s Othello - 922 Words

Emilia found it and took it to Iago, who left it for Cassio to find; Cassio in turn, gave it to his mistress. To add to his suspicions, Iago sets Othello up to hear Cassio s discussion regarding his mistress Bianca; however, Othello believes he is referring to Desdemona. This situation only becomes worse when Bianca produces a copy of Othello s handkerchief, and believing it to be his own he strikes Desdemona in his rage. Othello first asks Emilia to confirm Desdemona s unfaithfulness, but she cannot; therefore, he confronts Desdemona herself. Obviously astounded by the accusation, Desdemona is devastated. Meanwhile, Iago again tricks Roderigo- this time into killing Cassio in order to keep Desdemona in Cyprus. Roderigo again starts a fight with Cassio, but Cassio injures him, thus Iago injures Cassio himself. Othello, believing that Iago and has killed Cassio, leaves to again confront Desdemona. Wanting to rid himself of any potential threat, Iago kills Roderigo. As Othello is confronting Desdemona, he tells her to wake up and pray as he would not kill thy unprepared spirit (5.2.33). After explaining his reasoning for killing her, he smothers Desdemona with a pillow. Emilia finds her mistress murdered at Othello s hand and is told that her husband, honest Iago, confirmed Desdemona s adultery. Upon hearing this she, proceeds to tell him the truth of Iago s deception. Iago murders his wife for her betrayal, but Othello only manages to injure him. Finally knowingShow MoreRelatedOthello : William Shakespeare s Othello2542 Words   |  11 Pages3 March 2015 Othello Introduction Shakespeare is the second most quoted writer in the English language – after the various writers of the Bible. Many of Shakespeare’s ideas for the play Othello came from a collection of tales written by Giraldi Cinthio. In Othello the character of Iago acts as the prominent main character throughout the play, even though he plays the role of the antagonist to the other central characters in the comedy Iago is the tragic hero. Shakespeare’s Othello was not justRead MoreOthello By William Shakespeare s Othello Essay1230 Words   |  5 Pages Previously, in Act 3.4, Othello begins to suspect Desdemona’s loyalty, as he continuously asks Desdemona for the handkerchief, yet she keeps on changing the topic. In Act 4.1, Iago continues to convince Othello of Desdemona’s faithfulness. In Act 3.4, Othello defended Desdemona when Iago accused her; but in Act 4.1, their position is switched. Othello becomes more aware of what Iago is saying and the anger t hat he has towards Iago has significantly reduced, while he begins to doubt Desdemona.Read MoreWilliam Shakespeare s Othello And Othello1720 Words   |  7 PagesDejenara Williams Ms.Milliner EES21QH-04 January ,18,2017 In this world there are two different types of people. There are those with a fixed mindset and others with a growth mindset . Each of these mindset involve different personality and characteristics. This may create a different outlook on life, meaning different morals and actions. Which happens to come into play while reading shakespeare s Othello. Most of the characters , maybe even all fit into either categories. CharactersRead MoreOthello By William Shakespeare s Othello Essay977 Words   |  4 Pages In William Shakespeare s Othello, Iago s character is perhaps the most appalling scalawag. Oxford s Dictionary characterizes miscreant as an, an evil individual; boss insidious character in a play or a story (Oxford 740). Iago plays the antiquated of Othello, who is the general of the Venetian powers. As an old, Iago is to be an unwavering worker to Othello. In any case, Iago has developed intense and scornful and utilizes his gathered steadfastness as a wedge to bring about Othello s endRead MoreAnalysis Of Othello s Othello By William Shakespeare Essay2117 Words   |  9 Pages Racist Ideology As Seen In Othello As a writer, William Shakespeare possessed an uncanny ability to address topics that were, for the most part, unnoticed in society. Every one of his characters feels realistic because they are so complex and based on psychological motivations. When Shakespeare’s Othello was first written, there was undoubtedly a complicated relationship between white English citizens and so called â€Å"foreigners†. However, society’s inability to understand or accept different culturesRead MoreOthello s Othello By William Shakespeare897 Words   |  4 PagesIago’s main reason to denigrate Desdemona’s character is his love for Othello. Consequently, he will do anything to gain Othello’s admiration. When Iago is putting his plan into action and planting in Othello’s mind that Desdemona is not faithful to him, Iago says: Othello kneels .............................................................................................. IAGO: Do not rise yet. Iago kneels Witness, you ever-burning lights above, You elements that clip us round above, Witness thatRead MoreOthello s Othello By William Shakespeare848 Words   |  4 Pages Desdemona’s Passivity [In the Shakespeare’s play â€Å"Othello†] Desdemona is a passive character in the Shakespeare play â€Å"Othello†. We can identify this as a fault in Desdemona, in various acts and scenes throughout the play. A critic had stated that â€Å"Desdemona is passive, acted upon rather than acting.† This is a valid statement which is noticeable in Desdemona’s character. When Desdemona argues Cassio’s position that Othello stripped from him. We see from this that she could have actedRead MoreWilliam Shakespeare s Othello 1386 Words   |  6 Pagesblood-crimson of lust and the jade-green of jealously are but two of the vast palate required to paint this inescapable human passion. William Shakespeare’s store of colors is unrivaled. No human failing, foible or foolishness escapes his gentle, comedic reproof. He equally enjoins his audience to venture as bravely as he does into the palpable horror of love gone amiss. In â€Å"OTHELLO,†Ã¢â‚¬Å"MACBETH,† and many more dramas, l ove’s fatal potential to provoke vengeance or the quest for earthly power is powerfully feltRead MoreOthello By William Shakespeare s Othello1209 Words   |  5 PagesOthello Down Shakespeare s Othello comprises of the subjects betrayal, affection and dishonesty. At the focal point of this play is the lamentable ruin of Othello because of his so-called friend Iago. In this paper I will be examining the explanations behind and against Othello being in charge of his defeat through taking a gander at critical interpretations of his character and activities. Othello was profoundly in charge to his own destruction as Iago demonstrating to him to be gullible andRead MoreWilliam Shakespeare s Othello And Othello1385 Words   |  6 PagesFor the time Othello was set in, 16th century Elizabethan society held strong socioeconomic roles that governed social statuses. In Shakespeare’s Othello, class positions become a theme that emphasizes power as a major role in relationships. In the case of Othello, a general of the Venetian army, and Iago, one of his trusted advisors, that power struggle is the force that dominants the play and leads to the disastrous and memorable ending. Machiavelli’s treatise, The Prince, examines the dynamic

Predictive Analytics A Gold Mine - 1554 Words

Predictive Analytics: A Gold-Mine Yet To Be Exploited To Its Zenith Akanksha Pandey Information Technology Department, VESIT, Mumbai-74, India. Abstract 1. Introduction The proliferation, ubiquity and increasing power of computer technology has increased the volume of data oday`s mobile technologies and social media have collection and it`s storage manifold. This led to unleashed an exponential increase in information. continual growth in the size of data sets with Predictive analytics, a business intelligence technology consequent increase in complexity as well. Hands-on is one of the latest to take the future by storm with its data analysis is being increasingly augmented with immense potential for data- mining and efficacy. indirect, automated data processing Predictive analytics can be defined as any solution that techniquesclustered together and known as DATAIJERTsupports the identification of meaningful patterns and MINING. correlations among complex, structured and unstructured, historical and potential future data sets for Primarily, data mining deals with the analysis of data the purpose of predicting future events and accessing sets for identification of hidden patterns, trends and the attractiveness of the various courses of action. It is data values. Data miming in any line of businessShow MoreRelatedHow A Professional Objectives Both Short And Long Term1678 Words   |  7 Pagespossible before. All of this bodes well with my strong interest in Data as a software engineer who has been in the IT business for the last 18 years. But, what are my objectives and motivations in my quest to enter the Master of Science in Business Analytics program at NYU Stern? Motivations: I have been fascinated with computers from the time I started studying computer programming back in college, as a civil engineering student, to solve engineering problems. I saw great value and satisfaction inRead MoreAnalysis Of Harrah s Entertainment, Inc. Essay1996 Words   |  8 Pagescompany by the use of analytics that has left behind its competitors by a huge margin. Their primary focus is customer loyalty which provides customer satisfaction and would make the customers want to come back again and play more games thereby increasing the overall revenue of the company. They use predictive models to predict the likes and dislikes of the customers and provide loyalty incentive programs to target certain customers. 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Criticism Of the Sick Rose Essay Example For Students

Criticism Of the Sick Rose Essay Criticism Of the Sick RoseCriticism of The Sick RoseBy analyzing more information from different authors, I was able to drawa greater amount contrast from the authors. I had a better feel for what theywere trying to convey when they wrote their critical essays in their books. Whatever the case, it was easier to judge The Sick Rose by having more sourcesto reflect upon. Michael Riffaterre centers his analysis of The Sick Rose in The Self-sufficient Text by using internal evidence only to analyze the poem and todetermine to what extent the literary text is self-sufficient. It seems toRiffaterre that a proper reading entails no more than a knowledge of thelanguage (39). Riffaterre identifies psychological, philosophical, and geneticinterpretations (connected to mythological tradition) as aiming outwards.These approaches find the meaning of the text in the relationship of its imagesto other texts (40). Riffaterre argues for a more internal reading of the poems. Riffaterre emphasizes the importance of the relationships between words asopposed to their corresponding realities (40). For example, he states that theflower or the fruit is a variant of the worms dwelling constructed throughdestruction. Thus, as a word, worm is meaningful only in the context of flower,and flower only in the context of worm (41). After Riffaterres reading and interpretation of the poem, he concludes that The Sick Rose is composed ofpolarized polarities (44) which convey the central object of the poem, theactual phrase, the sick rose (44). He asserts that because the text providesall the elements necessary to our identifying these verbal artifacts, we do nothave to resort to traditions or symbols found outside the text (44). Thus, TheSick Rose is a self-sufficient text. Hazard Adams takes a different approach to reading The Sick Rose thanmost critics by cautioning the reader that often one overlooks the fact thata literary image primarily imitates its previous usages and secondarily what itdenotes in the outer world or in the realm of ideas (13). Adams begins hisanalysis with examining the rose, and by reminding the reader that in aliterary world where the rose is seen archetypally, all things have human form(14). Thus he allows for the rose to be able to become part of the speaker. Hecarries his idea one step further by suggesting that the speaker alwaysaddresses some aspect of himself when speaking to an object. Adams alsoclaims this same identification with the worm as with the rose. He further warnsagainst reading the poem as a simple allegory of sexual seduction; Blakeconsidered that allegory can contain some vision'(15). Thus, it seems thatthere is more to the poem than just a surface level reading. Adams concludes bystating that when reading Blakes poems, the reader should consider minuteparticulars, perspective, to related images in Blakes other works, and tosymbolic conventions in literature (15-16). John Hollowly also approaches an analysis of The Sick Rose by warningthe reader against unnecessarily complicating the poems by not beginning withthe simple language of the text and its images. He claims that the language ofthe poem does its work by being somehow transparent; and the subject gainspregnancy of meaning . . . because of how it stands in a revelatory position . . . seen across the whole spectrum of our existence (24). He explains that TheSick Rose is a popular poem because of the simple tension between the beautifulrose and the secret, pallid . . . repulsive worm (25). Holloway also arguesthat The Sick Rose is a retort to poems by Bunyan and Watts. Blake seems toidentify religion as an enemy to life (if the worm is read to symbolizereligion and the rose as life), unlike the poems of Bunyan and Watts thatadvocate virtue not pleasure (44). .u6caa4d373848588672a249c46a7410cf , .u6caa4d373848588672a249c46a7410cf .postImageUrl , .u6caa4d373848588672a249c46a7410cf .centered-text-area { min-height: 80px; position: relative; } .u6caa4d373848588672a249c46a7410cf , .u6caa4d373848588672a249c46a7410cf:hover , .u6caa4d373848588672a249c46a7410cf:visited , .u6caa4d373848588672a249c46a7410cf:active { border:0!important; } .u6caa4d373848588672a249c46a7410cf .clearfix:after { content: ""; display: table; clear: both; } .u6caa4d373848588672a249c46a7410cf { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6caa4d373848588672a249c46a7410cf:active , .u6caa4d373848588672a249c46a7410cf:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6caa4d373848588672a249c46a7410cf .centered-text-area { width: 100%; position: relative ; } .u6caa4d373848588672a249c46a7410cf .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6caa4d373848588672a249c46a7410cf .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6caa4d373848588672a249c46a7410cf .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6caa4d373848588672a249c46a7410cf:hover .ctaButton { background-color: #34495E!important; } .u6caa4d373848588672a249c46a7410cf .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6caa4d373848588672a249c46a7410cf .u6caa4d373848588672a249c46a7410cf-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6caa4d373848588672a249c46a7410cf:after { content: ""; display: block; clear: both; } READ: The Metamorphosis of Wang Lung in The Good Earth P EssayIn 1987, Elizabeth Langland wed feminist and formal-thematicmethodologies to analyze Blakes The Sick Rose' (225) in Blakes FeministRevision of Literary Tradition in The Sick Rose. In her consideration of thecritical tradition (228) as a tool of study, Langland reviews theinterpretations of other critics such as Hirsch and Bloom. Based on the femininecritique method, Langland suggests a reading in the critical tradition mayreveal the suspicion and possible hostility . . . toward a certain kind ofwoman (231). Her investigation then focuses on the speakers in the poem, andfrom a feminist perspective, she claims that the poem is read in the context ofa patriarchal speaker (231). This reveals the way in which expectations affecta reading and assumptions about the text. Thirdly, Langland examines the wayslanguage, syntax, . . . and illuminations work to establish new readings (228). Langland also includes discussions on the revisions of the poems and how theyaffect the poemas well as the readers response/interpretation generally. In general The Sick Rose criticisms from these four authors arefavorable and just for each of their own view points. The Sick Roserepresents each and every one of their ideas in their own way. William Blakesurely has put forth an excellent piece of poetry for all ages and generationsto enjoy. Works CitedAdams, Hazard. William Blake. Seattle: U of Washington P, 1963. Riffaterre, Michael. The Self-sufficient text. Diacritics 3.3 (1973): 39-45. Holloway, John. Blake: The Lyric Poetry. London: Arnold, 1968. Langland, Elizabeth. Blakes Feminist Revision of Literary Tradition in TheSick Rose. In Critical Paths. Ed. Dan Miller, Mark Bracher, and Donald Ault. Durham: Duke UP, 1987. 225-43.